Robert Frank: The Americans
from Steidl/National Gallery of Art, Washington
In 1958, the first edition of Robert Frank's The Americans was published in Paris. Les Americains contained Frank's 83 photographs in the same sequence as all subsequent editions, with the image on the right hand page, but juxtaposed with historical texts about American society and politics, gathered by Alain Bosquet. The following year, in the first American edition, the French texts were removed and an introduction by Jack Kerouac was added. Over the subsequent 50 years, The Americans has been republished in many editions, in numerous languages, with a variety of cover designs, and even in a range of sizes. It is the most famous photography book ever published, and it changed the face of the medium forever.
Robert Frank discussed with his publisher, Gerhard Steidl, the idea of producing a new edition using modern scanning and the finest tritone printing. The starting point was to bring original prints from New York to Gottingen, Germany, where Steidl is based.
In July 2007, Frank visited Gottingen. A new format for the book was worked out and new typography selected. A new cover was designed and Frank chose the book cloth, foil for embossing, and the endpaper. Most significantly, as he has done for every edition of The Americans, Frank changed the cropping of many of the photographs, usually including more information. Two images were changed completely from the original 1958 and 1959 editions.
A Time it Was: Bobby Kennedy in the Sixties
by Bill Eppridge
from Abrams
On June 6, 1968, at the age of 42 and at the height of his popularity, Robert F. Kennedy was tragically assassinated. Presidential candidate, U.S. Senator, father—Kennedy was all of these things—and, to many Americans, he embodied the power of possibility and positive change during a period of social unrest, racial inequality, and war.
Renowned Life photographer Bill Eppridge followed and photographed Kennedy during his early campaign days up to his untimely death, and A Time It Was features dynamic images of the public Kennedy, as well as rare, intimate ones, many of which have never before been published. An essay by Pete Hamill places the events in historical context, while Eppridge shares his insider’s perspective on Kennedy. Released to commemorate the fortieth anniversary of Kennedy’s death, A Time It Was reveals why the memory and legacy of Kennedy and his dreams continue to be relevant today.
Ansel Adams: 400 Photographs
by Ansel Adams
from Ansel Adams
ANSEL ADAMS: 400 PHOTOGRAPHS presents the full spectrum
The photographs are arranged chronologically into five major periods in order to convey Adams' development as an artist-from his first photographs made in Yosemite and the High Sierra in 1916 to his work in the National Parks in the 1940s up to his last important photographs from the 1960s. An introduction and brief essays on selected images provide information about
Few artists of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to
Poolside with Slim Aarons
from Abrams Books
Like its predecessors, Once Upon a Time and A Place in the Sun, Poolside with Slim Aarons offers images of jet-setters and the wealthy, of beautiful, glittering people living the glamorous life. Yet this new collection of stunning photographs of the rich and well-connected “doing attractive things” in their favorite playgrounds has a new twist.
The main character is pools and everything that goes with them—magnificent, suntanned bodies; well-oiled skin; bikini-clad women; yachts; summer cocktails; sumptuous buffets; spectacular locations; and most of all: fun. Poolside is not so much a Who’s Who of society, aristocracy, and celebrity—although C. Z. Guest, Lilly Pulitzer, Cheryl Tiegs, Peter Beard, and many who have appeared in the previous books are here—as it is about leisure time and how the rich make use of it. This is a more intimate peek into very private lives, to which Slim Aarons was given unprecedented access in the fifties, sixties, seventies, and eighties.
From the Caribbean to Italy and Mexico to Monaco, Poolside with Slim Aarons whisks the reader away to an exclusive club where taste, style, luxury, and grandeur prevail.
A Photographer's Life: 1990-2005
from Random House
“I don’t have two lives,” Annie Leibovitz writes in the Introduction to this collection of her work from 1990—2005. “This is one life, and the personal pictures and the assignment work are all part of it.” Portraits of well-known figures–Johnny Cash, Nicole Kidman, Mikhail Baryshnikov, Keith Richards, Michael Jordan, Joan Didion, R2-D2, Patti Smith, Nelson Mandela, Jack Nicholson, William Burroughs, George W. Bush with members of his Cabinet–appear alongside pictures of Leibovitz’s family and friends, reportage from the siege of Sarajevo in the early Nineties, and landscapes made even more indelible through Leibovitz’s discerning eye. The images form a narrative rich in contrasts and continuities: The photographer has a long relationship that ends with illness and death. She chronicles the celebrations and heartbreaks of her large and robust family. She has children of her own. All the while she is working, and the public work resonates with the themes of her life.
My Last Supper: 50 Great Chefs and Their Final Meals / Portraits, Interviews, and Recipes
by Melanie Dunea
from Bloomsbury USA
Chefs have been playing the “My Last Supper” game among themselves for decades, if not centuries, but it had always been kept within the profession until now. Melanie Dunea came up with the ingenious idea to ask fifty of the world’s famous chefs to let her in on this insider’s game and tell her what their final meals would be. My Last Supper showcases their fascinating answers alongside stunning Vanity Fair–style portraits. Their responses are surprising, refreshing, and as distinct from each other as the chefs themselves. The portraits—gorgeous, intimate, and playful—are informed by their answers and reveal the passions and personalities of the most respected names in the business. Lastly, one recipe from each landmark meal is included in the back of the book. With My Last Supper, Dunea found a way into the typically harried, hidden minds of the people who have turned preparing food into an art. Who wouldn’t want to know where Alain Ducasse would like his supper to be? And who would prepare Daniel Boulud’s final meal? What would Anthony Bourdain’s guest list look like? As the clock ticked, what album would Gordon Ramsay be listening to? And just what would Mario Batali eat for the last time?
Featuring: Ferrán Adrià , José Andrés, Dan Barber, Lidia Bastianich, Mario Batali, Rick Bayless, Michelle Bernstein, Daniel Boulud, Anthony Bourdain, Scott Conant, Gary Danko, Hélène Darroze, Alain Ducasse, Wylie Dufresne, Suzanne Goin, Gabrielle Hamilton, Fergus Henderson, Thomas Keller, Giorgio Locatelli, Masa Kobayashi, Nobu, Jamie Oliver, Jacques Pepin, Gordon Ramsay, Michel Richard, Eric Ripert, Marcus Samuelsson, Charlie Trotter, Jean-Georges Vongerichten and more…
Beneath The Roses
from Abrams
Beneath the Roses features an essay by acclaimed fiction writer Russell Banks, as well as many never-before-seen photographs, including production stills, lighting charts, sketches, and architectural plans, that serve as a window into Crewdson’s working process. The book is published to coincide with exhibitions in New York, London, and Los Angeles.
Robert Frank: Paris
from Steidl
The publication of Paris marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that visit have become iconic in the history of the medium. The 80 photographs reproduced here, which were selected by Frank and editor Ute Eskildsen, suggest that Frank's experience of the "new world" had sharpened his eye for European urbanism. He saw the city's streets as a stage for human activity and focused particularly on the flower sellers. His work clearly references Atget and invokes the tradition of the flaneur.
On This Earth: Photographs from East Africa
by Nick Brandt
from Chronicle Books
Nick Brandt depicts the animals of East Africa with an intimacy and artistry unmatched by other photographers who choose wildlife as their subject. He creates these majestic sepia and blue-tone photos contrasting moments of quintessential stillness with bursts of dramatic action by engaging with these creatures on an exceptionally intimate level, without the customary use of a telephoto lens. Evocative of classical art, from dignified portraits to sweeping natural tableaux, Brandt's images artfully and simply capture animals in their natural states of being. With a foreword by Alice Sebold and an introduction by Jane Goodall, On This Earth is a gorgeous portfolio of some of the last wild animals and a heartfelt elegy to a vanishing world.
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