Portraits

Master Lighting Guide for Portrait Photographers

Time-tested lighting strategies that will improve the quality of a portrait are detailed in this book for beginning photographers. Terminology used by industry pros is explained, the equipment needed to create professional results is outlined, and the unique role that each element of the lighting setup plays in the studio is explored. Photographers learn how color, direction, form, and contrast affect the final portrait. The concise text, photo examples, and lighting diagrams enable photographers to easily achieve traditional lighting styles that have been the basis of good portraiture since the advent of the art.

Face to Face: Rick Sammon's Complete Guide to Photographing People

Whether you're interested in studio photographs, or "environmental" photos of individuals where they live, in Face to Face you'll learn the preparation and attention to detail required to make alluring people pictures.

From the Introduction
The Camera Looks Both Ways
"In picturing the subject, we are also picturing a part of ourselves."
When it comes to photographing people, that is, no doubt, the most important photo tip I can share with you. "Every picture is a self portrait" is another way of conveying that point. Let me explain. When you are looking through your camera's viewfinder, viewing and framing a subject, if you realize that the feeling, the emotion, the attitude and the energy that you project will be reflected in your subject's face--and eyes--you'll get a higher percentage of pictures that you like. That's because by your actions, you are subconsciously "directing" the subject to mirror the way you feel. So in looking at the opening photograph in this introduction, I am sure that you know exactly how I was feeling when I took the picture outside a school in Lombok, Indonesia. That's right! I was having a blast. For all the photographs in this book, I will provide their locations for those of you who may want to know where the pictures were taken. Some of you may find that photographing strangers in strange lands is the ultimate photography experience. For me, getting people to like, or at least accept me, in a matter of seconds in far-away places is my prime goal as a travel photographer. After achieving that goal, taking the pictures is relatively easy--if you follow the tips in this book. Even if you are not a world traveler, however, you'll find that my tips and techniques for photographing people, for the most part, are the same, no matter where you go. In this book, the one that I've dreamed about writing for years, I'll also share some behind-the-scenes stories. For my Lombok picture, for example, I had just finished doing magic tricks for about an hour in one of the school's classrooms. I love doing magic tricks when I travel, and it's also a great technique for "breaking the ice" and getting people to let me into their lives for a few moments. That effort resulted in one of my favorite group shots--a shot that captures the enthusiasm of the school kids. Of course, I'll also get into the technical aspects of photographing people on the following pages. You'll learn how to photograph people in low light and in bright light, with a flash and without a flash. You'll see how reflectors and diffusers can turn a snapshot into a great shot. You'll understand the difference between an environmental portrait and a portrait--and the difference between taking and making a picture. Camera settings and lenses will also be covered. You'll find sections on Outdoor Photography and Indoor Photography. In some cases, you'll be able to use the techniques interchangeably, such as when it comes to posing a group or creating a sense of depth in a photograph. In fact, I will share everything I know about photographing people with you--all while trying to make the learning process fun and enjoyable. Before moving on, I'd like to share three more pictures with you that illustrate my "Camera Looks Both Ways" philosophy.

Check out my pictures of a young woman whom I photographed in Cuba, a Buddhist monk whom I photographed in Cambodia, and a man with face piercing whom I photographed in Cuba. While photographing one subject, I was beaming with joy. For another, I was trying to show an honest feeling of respect. And for another, I was expressing the feeling of, "Man, you look totally awesome." I don't have to match the photos with the feeling for you. See! The camera does, indeed, look both ways. Speaking of photo philosophies, if you check out the table of contents, you'll see that Photo Philosophies is the longest section in this book. That's because getting a good picture of a person goes way beyond technique. When it comes to photographing a person, you really need to think before you shoot, and that section offers a lot of food for thought. So what about Photoshop? Well, all of the pictures in this book have been enhanced to some degree, even it was only in sharpening, cropping and/or adjusting the brightness, contrast and color of an image. This is not a Photoshop book. However, because Photoshop can help you get a more dramatic, dynamic and artistic images, I've included a section at the end of this book that features my favorite Photoshop enhancements when it comes to people pictures.

For now, this before-and-after pair of images of a horse and rider at sunset, photographed at the Ponderosa Ranch in Oregon, shows how simple cropping and a bit of color, contrast and brightness enhancement can turn a snapshot into a great shot.
Ready to get going with some solid tips and techniques? I am. In fact, I can't wait for you to read the rest of this book--because I truly enjoy teaching and sharing my photographic experiences. Naturally, I also like "revisiting," so to speak, some of my favorite subjects. Those of you who have attended my workshops and seminars, or have seen my Web TV shows, also know that I enjoy meeting people. For those of you who are joining me for the first time, I hope you enjoy "meeting" me here. Before you go, however, I'd like to share two of my all-time people pictures with you.





Let's look at a portrait of a young girl whom I photographed in Bhutan and a picture of three girls that I photographed in Costa Rica. What I like about these pictures is the direct eye contact the subjects are making with my camera--and me. Connect with your subjects, and your pictures will connect with those who view them.
Understand your subject, and you'll gain some insight into the soul of the photographer--your soul.








--Rick Sammon
Croton-on-Hudson, NY

In this beautifully illustrated book, travel and adventure photographer Rick Sammon introduces the proven techniques he uses to make extraordinary photographs of people around the world. You'll find important tips and strategies for engaging your subject and setting up the shoot, along with techniques for shooting in a variety of conditions both indoors and outdoors.

Rick Sammon is people person who loves the art of making -- rather than simply taking -- people pictures. In Face to Face, he makes learning people photography a quick and enjoyable experience. Rick demonstrates his methods through a collection of his original photographs. Each photo includes notes explaining the principles he followed and the techniques he used.

Face to Face offers hundreds of tips you can you for studio shoots and "environmental" people pictures, including:

• Outdoor techniques for shooting in low light, shooting in bright light, for capturing action, taking profiles, taking group shots, and more
• Indoor techniques for using a flash and strobes, and for shooting silhouettes, working with mirrors, and other techniques
• Photo philosophies and creative advice, such as developing a sense of place, carefully choosing the background, seeing pictures within a picture, and more
• How to photograph people in different cultures, along with fascinating behind-the-scenes stories of photos in the book

Facial Expressions: A Visual Reference for Artists

All artists are tired of persuading their nearest and dearest to look sad…look glad…look mad…madder…no, even madder…okay, hold it. For those artists (and their long-suffering friends), here is the best book ever. Facial Expressions includes more than 2,500 photographs of 50 faces—men and women of a variety of ages, shapes, sizes, and ethnicities—each demonstrating a wide range of emotions and shown from multiple angles. Who can use this book? Oh, only every artist on the planet, including art students, illustrators, fine artists, animators, storyboarders, and comic book artists. But wait, there's more! Additional photos focus on people wearing hats and couples kissing, while illustrations show skull anatomy and facial musculature. Still not enough? How about a one-of-a-kind series of photos of lips pronouncing the phonemes used in human speech? Animators will swoon—and artists will show a range of facial expressions from happy to happiest to ecstatic.

Poolside with Slim Aarons

Like its predecessors, Once Upon a Time and A Place in the Sun, Poolside with Slim Aarons offers images of jet-setters and the wealthy, of beautiful, glittering people living the glamorous life. Yet this new collection of stunning photographs of the rich and well-connected “doing attractive things” in their favorite playgrounds has a new twist.

The main character is pools and everything that goes with them—magnificent, suntanned bodies; well-oiled skin; bikini-clad women; yachts; summer cocktails; sumptuous buffets; spectacular locations; and most of all: fun. Poolside is not so much a Who’s Who of society, aristocracy, and celebrity—although C. Z. Guest, Lilly Pulitzer, Cheryl Tiegs, Peter Beard, and many who have appeared in the previous books are here—as it is about leisure time and how the rich make use of it. This is a more intimate peek into very private lives, to which Slim Aarons was given unprecedented access in the fifties, sixties, seventies, and eighties.

From the Caribbean to Italy and Mexico to Monaco, Poolside with Slim Aarons whisks the reader away to an exclusive club where taste, style, luxury, and grandeur prevail.

Material World: A Global Family Portrait

In honor of the United Nations-sponsored International Year of the Family in 1994, award-winning photojournalist Peter Menzel brought together 16 of the world's leading photographers to create a visual portrait of life in 30 nations. Material World tackles its wide subject by zooming in, allowing one household to represent an entire nation. Photographers spent one week living with a "statistically average" family in each country, learning about their work, their attitudes toward their possessions, and their hopes for the future. Then a "big picture" shot of the family was taken outside the dwelling, surrounded by all their (many or few) material goods.

The book provides sidebars offering statistics and a brief history for each country, as well as personal notes from the photographers about their experiences. But it is the "big pictures" that tell most of the story. In one, a British family pauses before a meal of tea and crumpets under a cloudy sky. In another, wary Bosnians sit beside mattresses used as sniper barricades. A Malian family composed of a husband, his two wives, and their children rests before a few cooking and washing implements in golden afternoon light. Material World is a lesson in economics and geography, reminding us of the world's inequities, but also of humanity's common threads. An engrossing, enlightening book. --Maria Dolan

Playboy: The Complete Centerfolds

With the first Centerfold, who just happened to be the radiant Marilyn Monroe, Hugh Hefner masterminded a cultural icon: Playboy's Playmate of the Month. Now, for the first time ever, Playboy has gathered together every Centerfold from every issue into one luxurious collector's edition. That's over 600 beauties. We've reproduced these Centerfolds exactly as they appeared in the magazine to create a full-size, deluxe volume. Paging through this colossal, chronological collection provides a breathtaking view of our evolving appreciation of the female form: from the fifties fantasy of voluptuous blondes to the tawny beach girls of the seventies to the groomed and toned women of today. Housed in a handsome leather briefcase lined with velvet, this impressive tome is the ultimate indulgence for every passionate collector.

Read Hugh M. Hefner's Foreword

See the Table of Contents

A Photographer's Life: 1990-2005

“I don’t have two lives,” Annie Leibovitz writes in the Introduction to this collection of her work from 1990—2005. “This is one life, and the personal pictures and the assignment work are all part of it.” Portraits of well-known figures–Johnny Cash, Nicole Kidman, Mikhail Baryshnikov, Keith Richards, Michael Jordan, Joan Didion, R2-D2, Patti Smith, Nelson Mandela, Jack Nicholson, William Burroughs, George W. Bush with members of his Cabinet–appear alongside pictures of Leibovitz’s family and friends, reportage from the siege of Sarajevo in the early Nineties, and landscapes made even more indelible through Leibovitz’s discerning eye. The images form a narrative rich in contrasts and continuities: The photographer has a long relationship that ends with illness and death. She chronicles the celebrations and heartbreaks of her large and robust family. She has children of her own. All the while she is working, and the public work resonates with the themes of her life.

Posing Techniques for Photographing Model Portfolios

My Last Supper: 50 Great Chefs and Their Final Meals / Portraits, Interviews, and Recipes

Beyond Portraiture: Creative People Photography

Great portraits go beyond a mere record of a face. They reveal one of the millions of intimate human moments that make up a life. In Beyond Portraiture, renowned photographer Bryan Peterson shows how to spot those "ah-ha!" moments and capture them forever. A teary child...old people laughing together...a smiling girl with big, big hair. Everyone remember pictures like these, usually taken by a mother, a father, a friend holding a camera, forever preserving small yet revealing vignettes of our personal histories. But we always relied on pure luck and chance to catch those moments. Peterson's approach explains what makes a photo memorable, how to spot the universal themes that everyone can identify with, and how to use lighting, setting, and exposure to reveal the wonder and the joy of everyday moments. Beyond Portraiture makes it easy to create indelible memories with light and shadow. Bryan Peterson's books have sold more than 200,000 copies Specific enough for beginners, insightful enough for professionals Bryan Peterson is a well-known photographer, writer, and teacher. In addition to his many books for Amphoto, he writes a column thatappears in Popular Photography and contributes to prominent magazines. His workshops and online photo course at PPSOP.com are invariably sold out. He divides his time between Seattle, WA and Lyon, France, and New York City. 8-1/4 x 11 160 pages 200 color illustr